Collage means that in the process of painting, in order to obtain a unique artistic effect, the use of objects, such as newspapers, pictures, photos, etc., according to the design intention to cut into the required shape, pasted on the picture. Through the texture produced by the painting itself, the movement of the contours, and the contrast and echo of the color blocks, the materiality of the pasted object is changed, and the author's meaning is expressed concretely or abstractly.
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Collage is inseparable from folk paper-cutting and cubism art. Cubism broke the traditional concept of modeling, sought new ways of expression, did not take into account the truth of the image, and painted in a way that was only related to their own thoughts. Try to show all aspects of the same image or the change of the same image in a certain period of time. This technique of disassembling and reassembling objects has been further developed into pasting drawings and oil paintings with newspaper, wrapping paper, thin wood, glass, cloth strips and other objects related to the subject of the painting, making the works into physical objects that can be touched by hands. This method has created a new idea that the painter does not depend on the objective image but only on his subjective attainments.
George Brac, one of the representatives of Cubism, was the earliest to introduce ready-made materials such as newspapers into painting.
The Violin and the Pipe was created by Blakerne using a combination of newspaper, wallpaper collage and charcoal techniques. It accentuates the picture while using the overlap of different materials to suggest a sense of space.
Collage is not a unique art form of modern painting, and the early Italian church paintings are excellent examples of the aesthetic expression of materials by using the background color to combine the glossy color with the gold leaf. The magnificence of the gold leaves is enhanced by embossing patterns on the plaster base, polishing the gold leaves, or occasionally embellishing them with precious stones and jade. These religious works, created by combining painting pigments with gold leaves, inspired Klimt's exploration of synthetic materials. He made dreamy stylized arrangements of rhythmic patterns formed by embossed gold leaves and gold pigments, and combined this arrangement with curvy movement and beautiful human form, as shown in Figure 47. In order to achieve novelty and fashion, Klimt pursued the metaphor of decoration, and inlaid marble, gold and silver foil, copper, coral, mother-of-pearl and other materials into his oil paintings, which greatly enriched the expression characteristics of modern oil painting language.
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Talk about the main techniques of oil painting
The limitation of oil painting tools and materials leads to the complexity of oil painting techniques. For centuries, artists have created a variety of oil painting techniques in practice, so that oil painting materials can play a full performance.
① Transparent color method, that is, paint without white but only diluted by the color oil is painted at multiple levels. Each layer must be dried after the next layer of color, because the color of each layer is thinner, the color of the lower layer can be faintly revealed, and the color of the upper layer to form a subtle change of tone. For example, a stable blue coating on a deep red color layer will produce a rich effect of blue through purple, that is, cold and warm, which is often the tone of the palette. This painting method is suitable for expressing the texture and thickness of the image, especially it can vividly depict the delicate color changes of the skin of the character, making the skin feel that the skin is flowing with blood. Its disadvantage is that the color gamut is narrow, the production process is fine, the time to complete the work is long, and it is not easy to express the artist's immediate artistic creation emotion.
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② Opaque compound color method, also known as multi-level coloring method. When painting, first use monochrome to draw the shape of the body, and then use color multi-level shaping, the dark part is often painted thinner, the middle tone and light are thick layers, or cover or leave, forming color block contrast. Due to the different thickness, it shows the rich rhyme meaning and texture of color. There is no strict distinction between transparent and opaque painting, and artists often combine them in a single painting. When the image is displayed in the dark or in the shadow, the transparent color method can produce a stable and deep sense of volume and space: the opaque color law is easy to shape the form outside the dark and increase the saturation of the color of the picture. Most painters of the century ago used these two painting methods, and the production time of the work was generally longer, and some were placed for a long time after painting a layer, and then depicted after the color layer was completely dry. ③ Opaque one-time coloring method, also known as direct coloring method. That is, after making the outline of the image on the canvas, depending on the color feeling of the image or the idea of the color of the picture, the color is laid, basically after the last painting, and the incorrect part is scraped off with the painting knife and then the color adjustment is continued. In this painting method, the pigment dipped in each brush is relatively thick, the color saturation is high, and the brush strokes are also clear, which is easy to express the vivid feelings of painting. After the middle of the century, many painters used this method more frequently. In order to achieve the effect of full color layer after a coloring, it is necessary to pay attention to the application of stroke, that is, the coating method, which is commonly divided into flat coating, loose coating and thick coating. Flat painting is the use of one-way strength, uniform stroke to paint a large area of color, suitable for stable, stable composition to create a static form; Loose painting refers to the brushwork according to the natural turning trend of the drawn form, the brushwork is relatively loose and flexible; Thick coating is the full or local thick pile of pigment, some form up to a few millimeters of color layers or color blocks, so that the pigment shows the texture of interest, the image is also strengthened. As an artistic language, oil painting includes a number of modeling factors such as color, light and shade, line, texture, brushwork, texture, light sense, space, composition, etc. The role of oil painting techniques lies in reflecting all modeling factors comprehensively or focusing on a single item. The performance of oil painting materials fully provides the possibility of using oil painting techniques on a second flat base. The production process of oil painting is a creative process in which artists consciously and skillfully control oil painting materials, select and apply techniques that can express artistic thoughts and form artistic images. Oil painting works not only express the ideological content given by artists, but also show the unique beauty of oil painting language.
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